The Ashanti Kingdom was one of the most powerful empires in West Africa, and they still live on up to the present through the legacy of Ghana. The Ashanti, who were famous for their bravery, skillfulness, and system of government, have kept their legacy for centuries.
The Ashanti Region capital, Kumasi, has the Manhyia Palace that receives visitors who want to discover more about Ashanti kings and their influence on Ghana. The Prempeh II Jubilee Museum has royal artifacts, traditional attire, and war memorabilia.
The Akwasidae Festival, held every six weeks, is one not to miss when the Asantehene (Ashanti King) makes a grand entrance, wearing gold ornaments, as the people pay homage by drumming, dancing, and telling stories.
Ghana's part in the transatlantic slave trade was an unfortunate and regrettable stain on its history, underlined by the fact that a number of its coastal castles and forts, which acted as holding pens for enslaved Africans, remain today. They comprise such excellent survivors as Cape Coast Castle and Elmina Castle—both now World Heritage Sites—and act as sorry reminders of hundreds of years of human injustice via forced migration. Beneath their stone surface were black, airless dungeons where men, women, and children were imprisoned for weeks or months in more degrading circumstances than animals before they were ushered through the infamous "Door of No Return" to be shipped out of Africa across the Atlantic. Not only are they sites of history, but also holy sites of memory, traveled to by individuals from all over the globe—mostly African Americans and African peoples—to honor the fortitude of their forebears and confront atrocities of the past. Modern-day Ghana is actively embracing this heritage under the auspices of educational tours, remembrance ceremonies, and cultural festivals directed toward healing, introspection, and rediscovery of African heritage.
Chale Wote Street Art Festival is Ghana's most vibrant and eclectic cultural festival, held annually in the historic Jamestown area of Accra. The festival has transformed the streets into a vibrant open-air art museum since its inception in 2011, offering a mix of visual arts, performance, music, dance, fashion, and film.
Local and international artists converge to collaborate on murals, installations, and performances of intellectual substance reflecting African identity, social change, and artistic innovation. "Chale Wote," or "Friend, let's go," a Ga expression, captures the event's theme of unity, inclusivity, and creative artistic energy. The festival not only honors new African artistry but also reclaims public space as a cultural exchange site, drawing thousands of visitors annually into a dynamic and experiential spectacle unlike any other.
Panafest (Pan-African Historical Theatre Festival) and Emancipation Day are significant cultural festivals annually celebrated in Ghana, uniting Africans and those of the diaspora to share in a hearty celebration of heritage, strength, and unity. Since 1992, Panafest is a forum for confronting the historic legacy of the transatlantic slave trade and for promoting Pan-Africanism through performance, workshops, and cultural exhibitions. Emancipation Day on the 1st of August commemorates the abolition of slavery in the British colonies in 1834 and was celebrated in Ghana from 1998. The two celebrations involve a plethora of activities ranging from durbar of the chiefs, wreath-laying ceremonies at the historical sites like Cape Coast Castle, and the "Reverential Night" candlelight march, and stimulate reflection and debate on Africa's past and her aspirations for the future. By this remembrance, participants honor the struggles of ancestors and reaffirm a collective commitment towards cultural renewal and unity throughout the African continent and diaspora.
Ghana's diverse cultural heritage is confidently depicted by its music, art, and dance—all rich strands in the national identity brocade. Its art works such as Adinkra symbols and Kente cloth are esthetics beyond esthetics because they possess profound philosophical meanings, virtues, and sagely wisdom within them received from their forebears. They are meticulously crafted by hand by the artisans themselves with their interpretations often harboring harmony, potency, and spiritualism. Ghanaian music is no different, ranging from traditional folk to world-famous varieties like Highlife and modern Afrobeats. Something more than entertainment, they are also forms of story-telling, comment, and celebration.Dance is an integral part of everyday life in Ghana, and every ethnic group has its own repertoire by religion and tradition—whether it is the complex Adowa of the Akan, the lively Kete of the Ashanti, or the dynamic Agbadza of the Ewe. All of Ghana's music, dance, and art have cultural memory, are instruments of social cohesion, and are living conduits through which natives and tourists alike can learn the nation's character.
Ghanaian textiles are more than just fabric—they tell stories. Adinkra symbols, often seen on cloth, represent philosophical concepts such as wisdom, unity, and strength. The Kente cloth, traditionally worn by royals, is woven with intricate designs, each carrying its own meaning.